Emotion is a protective mechanism for human beings to seek benefits and avoid harm. It can activate the protective state of the human body and help people defend or resist; It can remind people that there are problems needing attention that have not been solved; It can also serve as a positive energy to help people resist unknown dangers. So I try to use different materials and simple props to simulate and express the process of triggering, transmitting and transforming emotions, and build a romantic and social emotional protection feedback system by exploring new visual language and material forms, including a physical linkage device and three externalized human emotional devices. At the end of the work, I pass on my understanding of the existence of emotion to the audience through a performance, link my thoughts on emotional experience between myself and the audience, so that the audience can change their perspective on emotional problems, understand emotions, understand themselves, and learn to get along with themselves better and more scientifically.

In the future, a catastrophe caused by human infiltration has led to extreme variation in marine life. The value of these mutated Marine fish and the market they supply are soon discovered. We applied the adversarial generative network system to design future mutant creatures and speculate about building-related industries. Future Mutant Fish Industry is a critical-thinking project by building a future virtual world for our food chain: the visualization of the bad situation of the fish market to alert us now. It focuses on balancing the supply and demand of people and the food chain and how we are deformed in the supply and demand relationship under the most extreme conditions that human beings have to accept, presenting the problem in the way of narrative vision.

Rising with the cities light pollution, insects are often unable to dis- distinguish between day and night, lost in the city of lights. This work takes non-anthropocentrism as the starting point, aims to rescue lost insects, and takes the polarized navigation experiment of light and insects as the core, trying to optical polarization technique is combined with physical and mechanical structure, electronic information technology, change the light path of moths’ vision, guide them to the original eating and pollination. "Invisible Guide" is to find a breakthrough in the influence of human development on other creatures. This is actually about a larger theme: how to live with nature. As designers, how do we integrate ecological balance into irreversible technological development and urban transformation.

The temporary disappearance of human beings during the pandemic made me find that animals that originally depended on human activities for survival seemed unable to return directly to nature. To this end, I envisioned an animal return plan based on the disappearance of human beings - Dumbo Project.In the future, humans will disappear suddenly, and the animals that were trained to develop new eating behavior patterns will not be able to return to nature for a while, and will not be able to prey, eat and mate normally. Therefore, I tried to let monkeys and crested seals use their own knots to simulate the behavior they are accustomed to in the circus;Change the feeding terrain environment of elephants and brown bears; Give ostriches and tigers auxiliary feeding props, and strive to help them return to nature with new habits, and adapt to the new environment with the original eating behavior mode. The work "kind" found a way of life for domesticated animals before the disappearance of human beings. In fact, it is to rethink the problem of domestication of animals from this absurd uprising.

The inspiration I got from ASMR is exploring the relationship between objects, body, and mind. In the material practice, I feel the visual impact of different colors and the emotional experience of exploring the shape of objects by touching the touch and state of different materials. Then, the combined application of different colors on unconventional materials and the exploration of the reaction relationship caused by them are deduced. In order to reproduce the pleasant mood and safe atmosphere, I re-established the relationship between certain objects, human behavior, personality characteristics and specific colors, shapes, textures and forms. I invite the audience to enter my sculpture space, participate in my emotional feedback, feel the objects with their body, and let the sculpture as a healing tool.